Shanghai,, June 21, 2025 / Prnewswire / – The 27 Shanghai International Film Festival (Siff) is currently in full swing, strongly demonstrating the booming momentum of Chinese films. Through its five basic sections and a series of thematic events, the films in Chinese make a resounding statement – emerging not only from cultural treasures, but as a film force that requires attention.
In the main competition, heavy goods vehicles like a summer of Cao Baoping, Qiu sheng My father’s son, and Wang Tong Beginning of wild nights, tamed animals demonstrate the ability of the industry to mix artistic vision with commercial appeal. Meanwhile, the Asian section of new talents highlights emerging voices: Bian Zhuo’s While the water flows, the coast drummer of Cheng Liang, the seven days of Qiu Yujie, the last summer of Shi Renfei, and Fang Liang water can go anywhere, to prove that the next generation of Chinese filmmakers is ready to transport the torch of this film center.
Among these films, while water flows into the complexities of parent-child relationships and intergenerational conflicts. “This film sounds deeply with each family,” said actor Li Zhenping, “the public can interpret it differently, but they share a common hope: so that their own family is better and more fulfilling.” Director Cheng Liang tackled the omnipresent subject of China Entrance exam to national college, Gaokao, in its Movitic work “Odds Beater”. He said: “We focus on Gaokao but let’s go beyond describing it. Unlike certain typically exciting stories, we use a more nuanced approach to transmit dilemmas.”
Beyond the competitions, Style also presents the Chinese showcase blockbuster, where nine films have been unveiled, in particular: Dongji Rescue, Strange Tales of Liaozhai: Lanruo Temple, A Cool Fish 2, gift of a cloud, Ly Lyee Road, Assassin in Red 2, Man Huang Jin DiMeeting echoes, and I know who you are. These films collectively present the diversified greatness of the Chinese film in 2025.
Dongji Rescue de Guan Hu, shot with IMAX technology, recounts a rescue mission of the Second World War. Producer Liang Jing noted: “Many of them explored their unexploited potential and have made great breakthroughs by acting. The actress neither has taken special exercises for her character.”
In addition, as an integral part of Chinese cinema, Hong Kong Films have long been an engine of innovation and exchange in the film industry in Chinese language. The festival also welcomed the forum “Hong Kong New Power Projects Showcase”, focusing on industry collaboration and innovation. Meanwhile, the forum “New Opportunities for Southast Asian and Chinese Language Cinema brought together producers and distributors of Hong Kong And in the region to explore co -production opportunities and cross -border marketing strategies. As Mr. Mak Sing Hei said: “As an important platform to promote cultural exchanges in the film industry, the Shanghai The International Film Festival has always been actively involved, in the hope of providing opportunities for the display and development of Hong Kong Film Works and Talents. “”
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